As if writhing around nearly naked in a fantasy costume and spinning around on a giant hot dog wasn’t enough, Miley Cyrus has launched a scathing commentary on ABC’s dating behavior.
Performing at London’s GAY, Mi took to the stage in a series of costumes that were, unsurprisingly, skin-baring. Addressing her audience, she professed: “You know, everyone’s a little bit GAY. “It’s the truth. Everyone’s GAY, all you need is a cocktail.
“And if that doesn’t work, sprinkle something in their drink. That’s what I always do.”
In a more candid moment, the 21-year-old referred to her split from ex-boyfriend Liam Hemsworth
LOVED: Fans tried to grab the star as she sang to the audience [CHRIS JEPSON / WENN.COM] Before launching into Wrecking Ball, Miley said: “I wrote this song after someone broke my heart, and I just wanted to say ‘f*** you’.
“I wanted to write a number one hit, something that would be played on the radio. I wanted to make sure that every time he turned on the radio, he would hear my song and he would continue to hear it for the rest of his life.”
Meanwhile, the Nashville native’s onstage antics were equally provocative, with her secret performance filled with inflatable dolls, suggestive dancing, and a midget dressed as a joint. Not to mention inflatable phallic objects, skimpy outfits, and a penis-shaped birthday cake.
SAVE IT: Singer grabs her crotch in revealing leotard [WENN] At one point, she got up close and personal with the screaming audience who grabbed her bare legs as she sang to them while grabbing her crotch.
The singer, born Destiny Hope, also paused her performance mid-concert to present a very special cake to her longtime friend and personal assistant Cheyne Thomas.
Miley Cyrus has once again captured headlines with her provocative and boundary-pushing performance, this time adding a layer of social commentary to her already sensational act. Known for her bold and often controversial stage presence, Cyrus took it to new heights with a performance that included her writhing around nearly naked in an elaborate fantasy costume and spinning around on a giant hot dog. Yet, it wasn’t just the spectacle that grabbed attention; Cyrus also delivered a pointed critique of modern dating behaviors.
In a recent interview following her performance, Cyrus used the platform to voice her opinions on the state of contemporary dating culture. She expressed concern over what she perceives as superficial and fleeting connections that dominate social media and dating apps. According to Cyrus, these platforms often reduce meaningful interactions to mere appearances and quick judgments, overlooking the deeper, more genuine aspects of human connection.
Cyrus’s commentary reflects a broader conversation about the impact of digital technology on personal relationships. Her performance, a mix of extravagant visuals and biting social critique, underscores her belief that while entertainment can be flashy and eye-catching, it is crucial to address underlying social issues with the same intensity. As Cyrus continues to push the boundaries of performance art, she remains a provocative figure in both entertainment and social commentary, challenging her audience to think critically about the world around them.
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